Jessica M. Silbey

Publications

• How Theories of Art Can Inform Debates About AI
  74 EMORY L.J. 1229 (2025) · Emory Law Journal · 2025
• <i>Jack Daniel's</i> and the Unfulfilled Promise of Trademark Use
  42 CARDOZO ARTS & ENT. L.J. 705 (2024) · Cardozo Arts & Entertainment Law Journal · 2024
• Panel 2: Trademark Law
  42 CARDOZO ARTS & ENT. L.J. 619 (2024) · Cardozo Arts & Entertainment Law Journal · 2024
• Questions of Intellectual Property and Fundamental Values in the Digital Age
  27 MARQ. INTELL. PROP. & INNOV. L. REV. 1 (2023) · Marquette Intellectual Property & Innovation Law Review · 2023
• Four Privacy Stories and Two Hard Cases
  37 CONST. COMMENT. 221 (2022) · Constitutional Commentary, Vol. 37 and later (2023–present) · 2022
• We're All Pirates Now: Making Do in a Precarious IP Ecosystem
  39 CARDOZO ARTS & ENT. L.J. 691 (2021) · Cardozo Arts & Entertainment Law Journal · 2021
• Copyright’s Memory Hole
  2019 BYU L. REV. 929 (2020) · BYU Law Review · 2020
• Against Progress: Interventions About Equality in Supreme Court Cases About Copyright Law
  19 CHI.-KENT J. INTELL. PROP. 280 (2020) · Chicago-Kent Journal of Intellectual Property · 2020

• Existential Copyright and Professional Photography
  95 NOTRE DAME L. REV. 263 (2019) · Notre Dame Law Review · 2019
• The Upside of Deep Fakes
  78 MD. L. REV. 960 (2019) · Maryland Law Review · 2019
• Bridges II: The Law-STEM Alliance & Next Generation Innovation
  112 NW. U. L. REV. 133 (2018) · Northwestern University Law Review · 2018
• Heuristic Interventions in the Study of Intellectual Property
  101 MINN. L. REV. HEADNOTES 333 (2017) · Minnesota Law Review Headnotes · 2017
• Reading Intellectual Property Reform Through the Lens of Constitutional Equality
  50 TULSA L. REV. 549 (2015) · Tulsa Law Review · 2015
• Patent Variation: Discerning Diversity Among Patent Functions
  45 LOY. U. CHI. L.J. 441 (2013) · Loyola University Chicago Law Journal · 2013
• Images in/of Law
  57 N.Y.L. SCH. L. REV. (2013) · NYLS Law Review · 2013
• Harvesting Intellectual Property: Inspired Beginnings and Work-Makes-Work, Two Stages in the Creative Processes of Artists and Innovators
  86 NOTRE DAME L. REV. 2091 (2011) · Notre Dame Law Review · 2011
• <i>Evidence Verité</i> and the Law of Film
  31 CARDOZO L. REV. 1257 (2010) · Cardozo Law Review · 2010
• Comparative Tales of Origins and Access: Intellectual Property and the Rhetoric of Social Change
  61 CASE W. RES. L. REV. 195 (2010) · Case Western Reserve Law Review · 2010

• Analysis of Videotape Evidence in Police Misconduct Cases
  25 TOURO L. REV. (2009) · Touro Law Review · 2009
• Cross-Examining Film
  8 U. MD. L.J. RACE RELIG. GENDER & CLASS 17 (2008) · University of Maryland Law Journal of Race, Religion, Gender and Class · 2008
• Criminal Performances: Film, Autobiography, and Confession
  37 N. M. L. REV. 189 (2007) · New Mexico Law Review · 2007
• Truth Tales and Trial Films
  40 LOY. L. A. L. REV. 551 (2007) · Loyola of Los Angeles Law Review · 2007
• Videotaped Confessions and the Genre of Documentary
  16 FORDHAM INTELL. PROP. MEDIA & ENT. L.J. 789 (2006) · Fordham Intellectual Property, Media and Entertainment Law Journal · 2006
• Judges As Film Critics: New Approaches To Filmic Evidence
  37 U. MICH. J. L. REFORM 493 (2004) · University of Michigan Journal of Law Reform · 2004